Even this digital age, sometimes there’s nothing better than cozying up to a glossy fashion journal. It is a playful exploration that seeks to personify fashion and provides a voice to the clothes to tell the stories that are woven in. Illustrations, quirky fashion photos and new abilities, all go to help the trustworthy and weird ambiance of Mint.
Vreeland, in particular, might be the dreamiest and most visionary editor ever to work in trend, creating spreads and layouts for Vogue that were colourful, graphic, easy, and stuffed with motion — that look, in fact, exactly how Vogue’s layouts nonetheless look immediately.
Nevertheless it must illuminate something about the way we take into consideration modern womanhood, since some version of this dynamic is in most of the zillion fictional depictions of magazines, from probably the most mild-hearted (thirteen Going on 30 and Ugly Betty) to probably the most dark and satirical (Dietland, Absolutely Fabulous, and, lest we forget, The Bell Jar, where a summer time job at a magazine sparks Plath’s heroine’s descent into madness).
Shot by Mario Testino, V ‘s cover featuring Kate Moss and Rihanna in numerous states of undress, came out with two various covers – one that includes a naked Rihanna with a lingerie-clad Moss, while the other had the two reverse roles with Kate in the buff.
As I consider the faces and varieties which have come before me in these illustrations, my thoughts dwells maybe longest on the youngsters, so just like the simpering youngsters of the style magazines, enthusiastic about their frocks, marching by the facet of cat or dog with an eye fixed to pose, looking from beneath their lace hats with unnatural smiles.